Structure studio Ply+ designed Home P, a slender rectilinear constructing exterior Ann Arbor, Michigan, with two objectives: to accommodate the shoppers’ need to age in their very own residence and to showcase their massive artwork assortment, which ranges from prints to sculptures. In line with agency principal Craig Borum, the two-story home’s glossy type—it incorporates two bedrooms, two and a half bogs, a kitchen and eating space on the highest stage, and ample lounge house—was influenced by the positioning’s steep topography.
The entrance door of Home P is accessed by a sloped entry ramp at grade. The panorama’s contours are echoed inside, the place self-contained, curved rooms threaten to intersect (or achieve this in refined methods), resulting in all types of formal intrigue. The architects devised a set of operations that decided the form of every room based mostly on its relation both to the house’s lengthy, bending west wall—steady throughout each flooring—or to its neighboring room. The consequence, mentioned Borum, is a collection of “incomplete” or remnant geometries; for instance, a thickened arc on the ceiling of the eat-in kitchen helps to delineate features with out occluding them.
These funky apertures body views from inside every room to items by Frank Stella, Donald Judd, and Jasper Johns reverse. Lit by a strip of clerestory home windows, the artworks are located up and down the first west wall, which, along with organizing the spatial plan, serves because the “gallery.” (Ply+ labored with New York–based mostly curator Randy Rosen to pick out and organize the items.) Constructed-in show options all through the home, like an alcove in the lounge that holds a geometrical glass sculpture, showcase three-dimensional works. In a attribute flourish, the alcove backs onto the staircase and hovers like a grace observe.
Although the inside of Home P is usually white, the architects injected a pop of colour to enhance the intense array of latest collectibles. A wealthy blue is utilized all through—for example, to a Marmoleum ground within the kitchen and built-in seating within the breakfast nook and to the ceiling and partitions of the screened-in outside porch on the highest stage. This blue—not fairly the Worldwide Klein Blue the architects first studied, Borum admits—spills out to the outside partitions, which the architects wrapped with blue stucco, making a cool distinction to the metallic panels that clad the facade.
Ply+’s method to paint is one other means that the architects introduced a way of continuity to the challenge, connecting the inside and exterior. By manipulating shapes, in addition to skillfully integrating the panorama, they’ve created a cohesive parti that introduces complexity to the home’s simple rectangular type.
This text initially appeared on our interiors and design web site, aninteriormag.com.
