For greater than ten years, Melbourne architect Peter Maddison has been the face of Grand Designs Australia, following the triumphs and tribulations of Australians constructing their very own houses and giving us an unvarnished take a look at the method.
Forward of Maddison’s closing season (the present will reportedly be transferring from Foxtel to free-to-air, with a brand new host), we requested Maddison to mirror on the expertise of internet hosting the present and take into account what it has to say about Australian structure.
ArchitectureAU: You’ve hosted Grand Designs Australia since its inception greater than a decade in the past. How does it really feel now it’s coming to finish?
Peter Maddison: It seems like a milestone. I’m happy with the workforce who’ve labored to make what’s a mountain of labor. It’s not simply me, it’s the entire workforce at Fremantle Media. Everybody’s fairly satisfied. It’s been widespread for therefore lengthy and we’re fairly happy with all that.
AAU: You’re an architect by coaching, with little expertise in broadcasting earlier than the present… What was it like entering into that function all these years in the past? How steep was the training curve?
PM: My solely expertise performing was doing a scholar evaluation at RMIT. And I auditioned in a singing function once I was in state college, I believe it was first or second grade – I wasn’t given the gig. So you could possibly say I didn’t have a number of expertise.
It was fairly difficult – confronting actually – within the early days. I didn’t know what it was all about and the abilities don’t come naturally. It will get the adrenaline going – I reckon I’ve used up a pair lifetimes’ price of adrenaline doing the present.
I learnt to simply accept that I’m all the time going to be nervous and it’s all the time going to be a problem, however like most issues, by way of expertise it turns into simpler. Within the early days I had sweat patches in all places, and nowadays I don’t have the identical affliction.
AAU: The British Grand Designs is so strongly related to its host Kevin McCloud, did you are feeling the necessity to differentiate your self from him, to ascertain a unique method or model?
PM: It’s humorous, once I was launched into this function, he got here out [to Australia]. We had a launch occasion at Bennelong Level, reverse the Opera Home. That they had constructed two large marquees, it was invitation-only and there was champagne and canapés, and I believed, “God, who is that this man? How I’m I going to do what he does?” However I shortly labored out, he’s simply one other man with all of the insecurities and foibles everybody’s received.
I believe I’ve simply tried to be my very own individual from day one, actually. I do hope that’s evident.
I take a look at different profitable performers, and so they’ve all received their very own persona traits and that’s what makes them particular. Have a look at Hughesy…Rove, Graham Kennedy, they had been all larrikins who wished to be themselves. So, I’ve tried to be true to myself.
AAU: All of these presenters had been additionally very consciously Australian. Is that one thing you’ve made a concerted effort to do with Grand Designs Australia – to have fun Australian structure specifically?
PM: Very a lot so. I’ve been practising structure right here with my very own workplace for 35 years or thereabouts, and I’ve been completely absorbed – and nonetheless am – by the Australian situation, and what which means to structure. To have fun Australians doing their very own factor has been my biggest pleasure. Going out to see folks, making an attempt to interpret the local weather and the supplies which might be obtainable domestically, making an attempt to reply to the land. I’ve met a number of architects and householders who’re making an attempt to be creative.
Among the episodes we’ve finished have been replications of Hamptons-style or Victorian-style buildings, and so they’ve been the difficult ones for me. Essentially the most profitable episodes had been those who had been extra experimental and courageous.
There’s much more consciousness round environmental points and in addition a mode of structure that’s a bit concerning the Australian character: tough across the edges, a bit irreverent, a bit uncooked, and in addition enjoyable. I believe there’s a extra evocative model, a mid-century sensibility about being vibrant – I believe that’s the place we’re going in the meanwhile, transferring away from a minimalist 80s and 90s stripped-out, rendered-over shiny model to one thing that’s much more touchy-feely.
AAU: With the homes that you just perhaps weren’t such a fan of – the Hamptons pastiches and many others. – did you are feeling you needed to maintain your tongue a little bit bit?
PM: Very a lot. Whenever you hear me speak concerning the view, there’s not a lot else to speak about.
Look, on the finish of the day, I do respect individuals who construct their very own dwelling, even when it’s not the model or method that I agree with. It’s very straightforward to be an arsehole and stab folks within the again. I’ve all the time tried to be respectful, even when I don’t agree with that specific constructing they’re doing, as a result of they’re doing a really courageous factor, sticking their hand up and going public; they don’t get any cash for it, it’s simply them celebrating what they’re doing.
There’s all the time pleasure, there’s all the time one thing in each mission which you could have fun.
AAU: You’ve been posting about a few of your favorite homes over time on Instagram. What’s it about these tasks that stands out for you?
PM: Typically, there’s an architect concerned, so there’s some mental rigour across the idea, and there’s a extra cohesive method to the constructing.
There’s inventiveness, and in addition a mid-century structural honesty and connection to panorama.
They’re throughout Australia – there’s Queensland, New South Wales, Tassie.
And that’s what’s fascinating about Australia. As a result of Australia is so large, a home in Mount Tamborine, Queensland, goes to be fairly completely different to at least one in Bruny Island, Tassie.
I believe, with all my favourites, it’s not simply the structure, it’s very a lot the best way it sits within the panorama, the best way it engages with it… after which there’s a connection to reminiscence, the householders and their historical past, which is one other layer that bolsters its relevance.
AAU: I suppose Grand Designs has all the time been concerning the folks as a lot because it’s concerning the structure?
PM: Very a lot so. It’s not concerning the structure and it’s not concerning the builder. It’s all concerning the house owners and their journey – that’s the story. That’s the glue that holds it collectively, and that’s why it’s profitable. What we do is try to deliver the house owners into the present the place they’re engaged within the course of, and the viewer begins to narrate to the house owners, and makes judgments about how they relate to them.
Once I first began, I believed it was all concerning the structure, and I saved saying to the producers, “Why are we specializing in each little transfer the house owners make? Let’s exit to the factories the place issues are being made,” and so they stated, “Peter, you don’t get it. The explanation this present is profitable is that individuals wish to make judgments and relate to the house owners.”
AAU: Have you ever discovered you’ve cast lasting bonds with the householders?
If I take a look at my high ten record, I reckon I might name any one of many householders and so they’d have a beer with me after work. They’re all good associates. I spend days with these folks. It’s not like a cocktail party, the place you spend a number of hours. I’m going again at the very least half a dozen instances for an entire day, after which there’s ongoing communication… so I’ll most likely spend, 60, 70 hours of those {couples} and get to know them very nicely.
AAU: And I suppose that’s such a pivotal second of their lives as nicely. An emotional time typically.
I believe so. They’re all the time very nervous about how they’re going to seem, however after it goes to air, they’re all the time very completely satisfied, as a result of we actually try to paint them as heroes. But additionally, actual individuals who make errors, like all of us do, and have successes. I believe that’s the factor about this format: it’s actual, there’s no product placement, there’s nobody placing phrases into their mouth.
I’m very fortunate, I get to go alongside to those websites and communicate my thoughts, and it’s all off the cuff. The one script I be taught is the opener and the nearer, the remainder of the episodes are all simply because it comes, and I believe that’s what’s contemporary about it.
Peter Maddison’s closing season of Grand Designs Australia airs on Foxtel on 25 January 2023.