Crimson tiles and uniform bar stools set the scene at Canary Wharf’s softly lit Kricket restaurant, designed by London studio Cake Structure to evoke the moody thriller of an Edward Hopper portray.
Tucked below the railway on Canary Wharf’s North Dock, Kricket is a contemporary Indian restaurant with places throughout London.
The eatery is characterised by a gently curved, tiled concrete facade with massive home windows.
Dramatically illuminated from the within, Kricket Canary Wharf takes cues from the saturated works of American realist painter Edward Hopper – specifically his 1942 depiction of an all-night diner in Nighthawks.
“We had been instantly drawn to the positioning’s location – nestled amongst smooth glass and metal towers, immediately beneath the large metal framework of the practice line above,” defined Cake Structure director Hugh Scott Moncrieff.
“It has this gritty city vitality, nearly an ‘below the bridge downtown’ sort of vibe,” he advised Dezeen.
Inside, the restaurant’s open-plan format is anchored by a 15-metre-long kitchen counter that doubles as a bar lined with similar pink stools. Stainless-steel was utilized to the meals preparation areas.
Clad in vivid crimson ceramic tiles, the counter was topped with petite bulbous desk lamps, creating devoted and intimately lit spots for diners.
“With a late-night license, we beloved the concept of Kricket as a spot the place you might slide in for a meal at 1.00am after a protracted shift, an evening out, or each,” thought-about Scott Moncrieff.
Pure timber additionally “performs a major function” within the restaurant. For the massive seating space, Cake Structure chosen strong pine chairs by Finnish model Vaarnii and British candy chestnut desk tops crafted by native producer Fallen & Felled.
The desk legs had been completed in placing powder-coated pink metal to bolster the area’s graphic identification.
“We wished to create an area that felt heat, vibrant and welcoming, but retained a sure rawness and moody depth,” defined Scott Moncrieff.
Furnishings designer and frequent Cake Structure collaborator Eddie Olin created translucent cloth curtains for the open-plan area.
Suspended from brushed aluminium frames, the light-weight textiles subtly divide the completely different eating zones and add a fragile contact to the in any other case “brutal class” of the restaurant design.
Pink and yellow mild is solid throughout the restaurant by orange-hued pendant lights that dangle above the tables.
The studio was aiming for a “horny, sultry and atmospheric” setting, enhanced by the outsized neon Ok emblem that glows above the doorway.
The restaurant’s steely surfaces had been knowledgeable extra by practicality than by their present reputation amongst furnishings and inside designers.
“Whereas stainless-steel is definitely having a second, we weren’t chasing tendencies,” stated Scott Moncrieff. “As a substitute, we focussed on sincere, hardwearing supplies – strong, useful and constructed for objective.”
“With an open kitchen, stainless-steel made excellent sense, providing sturdiness and ease of upkeep,” he continued. “The area has an unpolished, energetic really feel. So equally, thick and chunky timber components that may take a knock additionally felt becoming.”
“Kricket’s meals is artfully composed, stuffed with daring flavours and dramatic presentation,” added Scott Moncrieff. “We wished the interiors to echo that sense of expertise, layering textures and supplies with the identical consideration to element and artistry seen within the dishes.”
That is the primary restaurant undertaking from the Cake Structure crew, which was additionally answerable for designing the speakeasy-style bar positioned subsequent door. Elsewhere in London, the studio drew on Bauhaus ideas for a Hoxton bar with utilitarian interiors.
The pictures is by Felix Speller.
The publish Edward Hopper work inform late-night London restaurant by Cake Structure appeared first on Dezeen.
